Critical Ground: Art and Environmental Justice

Critical Ground: Art and Environmental Justice is to be an exhibition of works that confront the pressing intersections of environmental harm and social inequality.  In listening to the natural world, we are called to reflect on the imbalances in our human systems—and to consider how equity, justice, and care must shape the ways we live together.  Artists are invited to submit works that engage with the realities of climate crisis, land use, pollution, displacement, resource extraction, and other urgent issues, especially as they intersect with questions of justice and equity. Works may use traditional media or sustainable and experimental materials to reflect on both local and global concerns. Glen Echo Park is a historic site known for its connection to nature, public engagement, and accessible arts programming. Since 1891, the park has played a significant role in the cultural and social history of the region. Find more on this history here. Where feasible, outdoor works will be included to create visual and thematic dialogue with the natural surroundings of Glen Echo Park.

Critical Ground affirms the role of artists in shaping public understanding and response to environmental justice. Through this exhibition, Washington Sculptures Group (WSG) aims to create an inclusive and thought-provoking experience for audiences of all ages — one that invites reflection, fosters empathy, and encourages creative action toward a more just and sustainable world.

JUROR: Tomora Wright Swann

Davide Prete in collaboration with Jadon Kankel will present the installation Caught in the Current 02

Introducing Digital Explorations

Computer software and technology have forever expanded the ways artists capture and produce their work. Artists can weave together scenes in photoshop, produce paintings through a screen, create videos, animations, and projections that transport us to new worlds, and sculpt with a 3D printer. Maryland Federation of Art (MFA) invites all artists residing in any of the states or territories of the US, Canada, or Mexico to enter our 4th annual exhibition dedicated to digitally-produced art. Any original 2D or 3D image based work created and/or produced through digital software and following exhibition guidelines will be considered. This includes, but is not limited to digitally produced photography, digital painting, illustration, graphic design, digital video and projection. Works selected will be exhibited in MFA’s Circle Gallery from January 28 – February 28, 2026.

Juror: Andy Holtin, Professor of Extended Media at American University

Andy Holtin received his MFA from Virginia Commonwealth University’s Sculpture and Extended Media program. His work uses technological systems to create performative objects and interactive installations, incorporating an exploratory range of
materials and processes. Holtin currently works as half of the collaborative duo CausalityLabs, pursuing projects that explore mechanism as a metaphor for human experience and perception. His work has been exhibited internationally at locations including Galerie35, Berlin, Germany; Museo Antropologico y de Arte Contemporaneo, Ecuador; Museo Universitario Arte Contemporaneo, Mexico City; Planetario Alfa Science and Culture Museum, Mexico; and nationally at museums, galleries, and universities from New York to Portland to Florida. Holtin teaches all levels of Sculpture, addressing traditional media as well as installation formats, kinetic and interactive systems, and digital audio and video.

Holtin’s current work and research focuses on the exploration of cognitive processes through the development of and interaction with performative objects in a form of sculptural theater. Using systems ranging from simple machines to interactive robotics, his works orchestrate events that ask us to scrutinize cause and effect and our assumptions about the objects and materials of our culture. He has particular interests in the history of the sciences and linguistics.

Exhibition Schedule:

• Sept 23 Online Entry Opens for Submissions

• Nov 26 Entry Deadline @ 11:59 PM

• Dec 18 Notification @ 5 PM

• Jan 21 – 25 Accepted and Shipped Work Must Arrive at MFA Circle Gallery 11 AM – 4 PM

• Jan 28 Exhibition Opens

• Feb 1 Virtual Awards Ceremony from 4 – 5 PM via Zoom

• Feb 28 Last Day of the Exhibition; Closing Reception at MFA Circle Gallery from 4 – 6 PM

• Mar 1 –  2 Pick-up Hand-Delivered Work 11 AM – 4 PM

• Mar 8 Shipped Work Will Be Sent

NOTE: Should Circle Gallery be closed for reasons beyond our control, MFA reserves the right to move a planned physical exhibit to our online gallery.

UNFILTERED
Explorations of Life, Identity and Boundaries by new voices in Contemporary art

OPENING RECEPTION Friday May 2, 5-7 pm

Curator's Talk - Saturday May 3, 2 pm

Spiralis Gallery
35 Dover St. Easton, MD

www.spiralisgallery.com
gail@spiralisgallery.com
908-625-8704

Hours: Wed. by appointment, Thursday - Saturday 11-5, Sunday 11-4

Join us for the Opening Reception of the new show 'Unfiltered'

Friday May 2, 5 - 7 pm, champagne toast
Meet Curator Renato Miracco, Saturday May 3, 2 pm

Humanity & AI. The theme of this conference focuses on how to preserve the human complexity, with Generative Art and AI.

1. Art, poetry, music, architecture, and historic cities need generative ideas for their adaptation to the deep new demands of our fast-changing time.

2. Our field of interest is to identify these possibilities and relate the most advanced creative approaches of Generative Art and AI. This is why the 27th Conference on Generative Art is supported by the Italian National Commission for UNESCO and hosted by the UNESCO Regional Office for Science and Culture in Europe.

3. We will be happy to present your generative approach. This can be done through generative ideas that could safeguard specific identities of Art, Nature, Environments and History.

Art&Science - Generative AI - Image&Space - Music&Poetry - Visionary Scenarios - Infinity&Identity
After 26 years of GA conferences, the generative and AI approaches are finally running in our everyday lives. So we will be happy if we will discuss this.
This year the conference will run not only in presence and we will try to plan also an exhibition of your artworks in a GA metaverse. A session of Voices of poetry will run during the persormance session. (http://generativeworld.it).
XXVII GA Conference is organized by ARGENIA Association.
If you would like to share your scientific and creative work and your generative art and design experiences with us, please send us an abstract for a proposal of paper, artwork, installation, poster, and/or live performances (the template is on the website www.generativeart.com).
TOPICS
The main topic is "GENERATIVE ART WHERE THE BEAUTY VOICE SURVIVES.Future Visions on Past Steps"
the field of interest are : Art, Science & Technology, Generative Art, Generative Design, Generative Philosophy, Generative AI, Generative Singularity and AI Identity, Digital Design & AI Production, Generative Architecture, Generative Geometry, Generative Music, Live Coding Music, Procedural Sounds, Generative Robotics, Cities Identity & Town Design, Mathematics, Poetic Logic, Poetry, Singularity and Generative approach, Biomimetics, Psychology and Medicine Generative models, Culture of Algorithms, Complex non-linear systems, Chaotic Dynamic Structures, Digital Culture, Visionary Art, Visionary Design, Visionary Paradigm, Generated 3D models for 3D printers, Topology, Algorithmic Art, Encoding Art & Sciences, Web Art, Nanoart, Evolutionary Design, Philosophy & Technology, Visionary Scenarios & Virtual Environment, Artificial Intelligence, Artificial Life, Artificial Behaviors, Futuring Past, Teaching Theory and Methodology, Creative Advanced Teaching

Dear Friends of Generative Art,
We are at the 27th Generative Art Conferences and I would like to thank all the participants in the past editions coming from many different countries of all continents because they have succeeded in supporting GA as the worldwide reference conference in the sector of the generative approach. This with their interesting contributions that were not only academic papers but work in progress able to define the real state of the art of Generative Thinking.
Not only, the discussions, the exchanges of experience, and the working together for reaching advanced possibilities was also the unique feeling of these meetings.
This year we will meet in Venice, at UNESCO, and we will focus our papers on the Ideas for beauty surviving and we hope that you will present the advanced ideas for using at the best your generative approach.

“The purpose of the flow is to keep on flowing, not looking for a peak or utopia but staying in the flow.” - Mihaly Csikszentmihalyi 

The Naturalist Gallery invited artists from around the world to submit their work to the Flow Exhibition.

Join us in celebrating the concept of "flow" with contemporary art. Apply now to showcase your interpretation to art enthusiasts and collectors worldwide.

Exhibition Dates: 10/8/24 - 12/7/24

n support of local visual artists and District art nonprofit organizations, the DC Commission on the Arts and Humanities acquires fine art from artists living and working across the metropolitan region. The ongoing and annual acquisition of art becomes a part of the Art Bank Collection and is then loaned to District Government agencies for display in public areas and offices of government buildings. The Art Bank Collection, which started in 1986, has over 3,000 artworks.  

DC Art Now 2024 is an annual exhibition of selected work by finalists for the FY25 Art Bank Program grant. It features many of the most exciting emerging and established artists working in the DC metropolitan region today. Stop by our 200 I (Eye) Street, SE Gallery and see DC come to life through photography, sculpture, painting, printmaking, textiles, and more! The gallery is free and open to the public Monday to Friday, 9 am to 6:00 pm. 

Installed in the gallery are the works of:   

Alanna Fields, Alison Kysia, Anne Bouie, Ayanah George, Brandon Hill, Brian Dunn, Caitlin Teal Price, Charles Jean-Pierre, Chee Kung, Cheryl Edwards, Christine Ruksenas-Burton, Curtis Woody, David Carlson, Davide Prete, Deborah Grayson, Elizabeth Casquiero, Em-On Surakitkoson, Esther Iverem, George Tkabladze, Hannah Atallah, Hillary Steel, Hope & Faith McCorkle, Irene Pantelis, Jacqueline Crocetta, Jay Durrah, jET Carter, Joanathan Bessaci, Jodi Ferrier, Jonathan Monaghan, Khanh Le, Lely Constantinople, Lex Marie, Luigino Palu, Makeda Smith, Marcel Taylor, Maria Karametou, Marilyn Gates-Davis, Maurice James Jr., Mehmet Uskul, Michael Sirvet, Monica Bose, Murjoni Merriweather, Nancy Daly, Nate Langston Palmer, Nicole Salimbene, Paloma Vianey, Paula Mans, Percy Martin, Rashad Ali Muhammad, Rashin Kheiriyeh, Rush Baker IV, Ruth Becker, Sally Kauffman, Sheila Crider, Steve Wanna, Stephanie Mercedes, Tim Tate, Timothy Davis, Werllayne Nunes, Wesley Clark, Xenia Gray, Yewande Kotun Davis, and Zsudayka Nzinga. 

Generative Art performs the idea as a process. Moving the creativity from Objects/Events to Codes, GA builds the contemporary complex natural/artificial environment. Generative Algorithms and Transforming Rules realize, as natural DNA does, always different and unpredictable series of events, artworks, industrial objects, architectures, music, environment, communications, software, and hardware devices, all recognizable by each generative creative concept.
Generative Art is identifiable as one of the most advanced approaches in the creative and design world. It performs the incoming new naturality of the artificial world. Generative Projects, Morphogenetic Design, Evolutionary Systems can design the species of incoming events, their identity in progress, the recognizability of each possibly generated object, the complexity of the contemporary world, spaces, communications, and music.
In Architecture GA can increase the identity and uniqueness of each city, performing generative codes that can be used in designing the incoming transforming paths of each town.
In Industrial Product Design GA performs the relation between intelligent industrial production and advanced design ideas of new naturality.
In In Visual Art, Literature and Music GA opens a new era of reproducibility of artworks. From clone to unique and un-repeatable sequence of possible final results.
The generative approach represents the way to carry out the idea as a product, and not only the artifact-product-piece as the unique representation of the idea.

Generative Art Conference is a meeting place to exchange ideas, theoretical approaches, operative, and teaching experiences, and to value the innovative field of intelligent industrial production and business that belongs to the Generative approach.
Following last years' experience, people can show their innovative works in the concurrent GA Performance Festival that will be held on the evening of the same days of the conference. This will be an opportunity to show and enjoy the most advanced mix of generative entertainment media.
The PROCEEDINGS will be published in a (paper) book (with ISBN  international number) before the conference. The book will contain the (double-reviewed) papers, posters, artwork, and performances/presentations. So the proceedings will be available in time for the conference.  More, the best-focused contributions will be also published in the journal GASATHJ, Generative Art Science and Technology hard Journal (https://www.gasathj.com) after a selection and review for upgrading the papers into a multimedia article fitting the character of the Journal.     
- Early submitting, if requested, could be accepted in 15 days to obtain a letter of invitation usable to fund applications.
- No funds are available from the GA2023 organization.
- conference participants will pay a registration fee for covering the conference expenses, lunches, proceedings paper book with ISBN international code and conference dinner.
- To ensure a high-quality conference, all abstracts and papers will be reviewed by the Conference Chair and by the scientific Committee.
- The proceedings of GA2023 will be printed in advance in a (paper) book with ISBN number, published before the conference, for having the support to the conference. - All papers and presented contribution will be also published on the website www.generativeart.com
- Selected contributions will be asked to perform a multimedia article to be published (for free) in the next issue of the Journal GASATHj, https://www.gasathj.com

Mty work “Minimal Surface 04” was selected for MFA's Small Wonders 2023 by juror Lillian Bayley Hoover.

EXHIBITION LOCATION: MFA Circle Gallery, 18 State Circle, Annapolis, MD 21401

EXHIBITION DATES: November 29 – December 23, 2023

ZOOM AWARDS CEREMONY: Sunday, December 3 from 4 – 5 PM

Join us via Zoom at https://us02web.zoom.us/j/85468742345

IN-PERSON RECEPTION: Thursday, December 7 from 6 – 8 PM at Circle Gallery

GALLERY PREVIEW:

https://mdfedart.com/mfaentry/artistgallery.php?myid=6FKGZPA9&evtid=311

I also have a small fold-formed sculpture in copper at the “Our Creative Community” exhibition at Sandy Spring Museum that is on display from Sept. 22- Nov. 15, 2023.

The opening reception will be Sunday, October 1, from 1-3 pm.

You can register for the event here: Sandyspringmuseum.org

Mathematics・Art ・Music・Architecture・Culture

Dalhousie University

Halifax, Nova Scotia, Canada, 27–31 July 2023

In 2023 we are holding the Bridges conference at Dalhousie University, which is located in Nova Scotia, also known as Mi’kma’ki, the ancestral and unceded territory of the Mi’kmaq’.

Saturday Feb 11   Opening Party (5-8pm)

Sunday  Feb 12    Book Presentation with Sarah Boxer

Saturday Feb 18   Artists Talk  This will be an informal event open to everyone to talk about their work 

Sunday   Feb19    Book presentation wiyh Kitty Templeton

Friday     Feb 24   Carnevale Party

Sunday   Feb 26   Book presentation Tunisian Cookbook with Judy Hallet

On Display January 4 – 28, 2023

Virtual Awards Ceremony will be January 8, 2023 from 4 – 5 PM via Zoom

Closing Reception at Circle Gallery January 28, 2023 from 4 – 6 PM

Awards

Conley Award for 3D

Across the Sands of Time, 3D printed ceramic, David Prete

Juror’s Choice

Split, wood, stainless steel, Antonina Enalieva

Dancing Rainbow, oil, texture spray paint, metallic leaf, oil on canvas, Cindy Mehr

Abstract # 61 – The Conversation, wood veneer, Robert Bruce Weston

Snack Time: Sea Hawk, fiber art – thread painting, Susan Schauer John

Extra Sprinkles, oil on panel, Deborah Kommalan

Honorable Mentions

Across the Sands of Time, 3D printed ceramic, David Prete

Sirra, oil on canvas, Megan Burak

Blue Study, archival digital print, Richard Weiblinger

Juror: Scott Hutchison, Associate Professor of Practice in Painting and Drawing at Georgetown University

Scott Hutchison is an American figurative artist based in Arlington, VA. After receiving his BFA at Drake University in Des Moines, Iowa in 1995, Scott was awarded the Morris Lewis Fellowship from George Washington University where he received his Master of Fine Arts degree in painting in 1999. He has over 20 years of combined teaching and professional art experience, much of that time was devoted to teaching painting and drawing at The Art League. He is currently an Associate Professor of Practice in painting and drawing at Georgetown University and has a home studio in Arlington.

Scott’s artwork has been featured in a variety of venues regionally and nationally. Most notably, his work was accepted for display in Dover, Delaware, at Biggs Body 2019 where his piece “Vertigo” was acquired by The Biggs Museum of American Art’s permanent collection. In 2021, Scott had a solo exhibition titled “Flux” at The Fred Schnider Gallery in Arlington. He has recently shown in a number of group shows: “Mind|Body|Soul” at The Smith Center for Healing Arts in Washington, DC, “Painting the Figure Now” at the Zhou B Art Center in Chicago, and “Inside Out, Outside In” at RJD Gallery in Bridgehampton, NY. See his work and learn more at scotthutchison.com.

Juror’s Statement

It was a pleasure to be this year’s Juror for the MFA’s Winter Member Show and review a wide range of submissions from talented artists working in various mediums. The selection process was difficult as the quality of the work was consistently high, making it challenging to narrow down the selection to a cohesive and compelling show.

Over 300 works were submitted and I was particularly struck by the diversity of styles and subjects. All combined, this number represents countless hours of hard work and creative exploration which produced so many stunning pieces. The final result is a show of 55 unique works that I hope showcases the vast range of artistic talent within the MFA membership.

I chose pieces that demonstrate a strong command of the medium, a unique perspective, and a clear artistic vision. I was particularly drawn to work that contained a conflict or visual effect that complimented the artist’s vision. A visual effect can be any number of qualities such as a bold or smoothly applied brushmark, or the experimental play of scale, textures, colors and lighting. My final selections were based on what I perceived as the idea being communicated in the work and how the effect was used to give it life. My intention was to choose a broad range of subjects and approaches and highlight work that best engages with the viewer in concept as well as the medium – hopefully sparking a dialogue between the art and the viewer.

One of the things that I love most about this show is the way it highlights the MFA membership. From traditional mediums like painting and drawing to more experimental forms like digital art and mixed media. I am honored to have played a role in selecting the works for this show and I can’t wait for you to see the work on display at The Circle Gallery.

Generative Art is the idea realized as a genetic code of artificial events, as the construction of dynamic complex systems able to generate endless variations.
Each Generative Project is a concept-software that works producing unique and non-repeatable events, like music, images, or 3D Objects, as possible and manifold expressions of the generating idea strongly recognizable as a vision belonging to an artist/designer/musician/architect/mathematician. The generative Idea / human-creative-act makes an unpredictable, amazing, and endless expansion of human creativity. We can create species of events with a recognizable identity, following our vision. Computers are simply tools for storage in memory and execution.
This approach opens a new era in Art, Design, and Composition: the challenge is a new naturalness of the artificial event as a mirror of Nature. Variations, like in Bach music, are the best strong communication of the Idea. Once more man emulates Nature, as in the act of making art.
This approach suddenly opened the possibility to rediscover possible fields of human creativity that would be unthinkable without computer tools. If these tools, at the beginning of the computer era, seemed to extinguish human creativity, today, with the generative approach, directly operates on codes of Harmony and codes of Identity. They become tools that open new fields and enhance our understanding of creativity as an indissoluble synthesis between art and science.
After two hundred years of the old industrial era of necessarily cloned objects, music, architectures, communications the one-of-a-kind object becomes an essential answer to emergent contemporary aesthetical needs.

Davide Prete and Sergio Picozzi will present the paper: Generative Design of Lattice Structures for 3D Printed Sculptures and Davide will present his latest sculpture.

19 artists and 6 poets explore the theme of UDC Unsettled presenting their unique vision of the city.

The show open to all artistic discipline includes paintings, drawings, photography, sculpture, jewelry and poetry.

Weekend 1

Friday March 11 6-9pm

OPENING RECEPTION, The BIG DAY – refreshment will be served including wine and finger foods.

We expect to have a pleasant evening together to celebrate DC UNSETTLED

Saturday March 12 6-9pm

SIPS & ART – gallery is open to the public and to everyone who want spend time with us sipping nice wine or no alcohol drink enjoying the art.

Sunday March 13 12-5pm

ARTISTS TALK – open to the public, and to our patrons and friends, who want to know more about our art and the artistic process. Please be there ready to talk about your art. A refresh will be served including wine and finger foods.

Weekend 2:

Friday March 18 6-9pm

DC POETRY / Artist Talk2 – one of these two events will be in place we will confirm later. Drink will be served

Saturday March 19 6-9pm

SIPS & ART – gallery is open to the public and to everyone who want spend time with us sipping nice wine or no alcohol drink enjoying the art.

Sunday March 20 12-5pm

Poetry reading and book presentation from our DC UNSETTLED poets’ group lead by Mike Maggio – open to the public, and to our patrons and friends. A refresh will be served including wine and finger foods.

Weekend 3:

Friday March 25 6-9pm

Work from Silent Auction benefit Ukraine will be collected from the artists and began to be displayed on the reserved space.

Gallery is open to the public, and to anyone you would like to invite. Drinks will be served

Saturday March 26 6-9pm

SIPS & ART – gallery is open to the public and to everyone who want spend time with us sipping nice wine or no alcohol drink enjoying the art. Silent Auction start to accept bids

Sunday March 27 12-5pm

ART4US Spring Market – one of our PopArt organized in our space! Each artist who wants to participate to the market is invited to bring small items to sell to the public. We will coordinate about small table and space logistic on Friday 25. By then you will let us know if you want to participate. The gallery is open to the public, and to our patrons and friends. Drink will be served

Weekend 4:

Friday April 1 6-9pm

Silent Auction benefit Ukraine will continue to collect bids

SIPS & ART – gallery is open to the public and to everyone who want spend time with us sipping nice wine or no alcohol drink enjoying the art.

Saturday April 2 6-9pm

Closing Party Reception and Silent Auction - bid will be accepted until 7.30pm and the winners bid will be announced at 8.00pm.

The party will celebrate us as artists and our solidarity with Ukraine people -

Open to the public, and to our patrons and friends. A refresh will be served including wine and finger foods. – at the end of the soiree Artists are welcome to pick up the artwork from the gallery

Artists' Gallery of Ellicott City, MD

"Artists' Gallery
2022 Juried Show"

March 1 -  March 27, 2022

Reception: March 5 from 3 - 4 PM

Award Ceremony at 3:30

Once a year, we are honored to feature regional artists who are not members of our gallery but have been accepted to exhibit in our Annual Juried Show.  Like last year, this is a "hybrid" exhibit.  Only the pieces that won awards are displayed inside our gallery space but all of the accepted pieces are featured on our website.  Scroll down to see this wonderfully diverse and beautiful work.  The Artists' Gallery members are also on display throughout our gallery.  Have Fun

https://www.artistsgalleryec.com/product-page/adam-s-hand

Nation of Makers, the Institute of Museum and Library Services (IMLS), and the Congressional Maker Caucus are pleased to announce the fifth annual Capitol Hill Maker Faire to be held on December 6 and 7, 2021.

I will present my work and the University of the District of Columbia.

Organic Geometry is a tribute to the late artist and celebrated, longtime member of Studio Gallery, Nancy Frankel. This group exhibition will include a wide variety of artworks ranging in medium and subject matter, with the common thread of being dedicated to Nancy Frankel’s life and artistic outlook.

Some of Nancy’s original works will be included in the show, as well as work by members of the Washington Sculptors Group, of which Nancy was a founding member. Studio Gallery and WSG honor Frankel’s profound impact on the Washington D.C. art scene with this month-long exhibition, and we invite you to come and celebrate her life with us.

I will show my latest video “Inside Minimal Surface”.

Studio Gallery is open to the general public for walk-ins on Wednesdays, Thursdays, & Fridays from 1pm to 6pm and on Saturdays from 11am to 6pm. All visitors and staff are required to wear a face mask that covers the nose and mouth. Please contact director@studiogallerydc.com or call (202) 232-8734 for inquiries or appointments.

RSVP for our reception is REQUIRED; RSVP here

Saturday, December 11th

3:00 - 3:55 pm and 4:00 - 4:45 pm

My sculpture Soundwave Art Park was selected for inclusion in this exhibition. It was also a recipient of an ' Honorable Mention Award'.

For this exhibition Las Laguna Art Gallery asked artists working in Digital Art, Collage or Assemblage to submit their works.

For Digital art, artists may use software like Photoshop, Procreate, Corel Painter, or other tools to manipulate images to create paintings, drawings or pictures.

Collage works submitted to this show used traditional magazine and newspaper clippings, photographs, ribbons, paints, found objects, bits of colored or handmade papers; and some of the collages were made digitally using a wide variety of digital tools.

Other artists submitted Assemblage. Assemblages are a 3-dimensional variant of the collage with elements jutting in or out of a defined substrate, or an entirely 3-D arrangement of objects and/or sculptures.

My 3D printed sculpture “Adam’s Hand” was selected for the show.

https://www.laslagunaartgallery.com/digital

The show Minimal Surfaces is up and running:

Studio Gallery is open by appointment only on Wednesdays and Thursdays, and open to the general public for walk-ins on Fridays and Saturdays from 1pm to 6pm. No more than five guests will be allowed in the space at one time. All visitors and staff will be required to wear a face mask that covers the nose and mouth. For the safety of our staff, our office will be moved to the lower gallery, and our upper gallery will be available by appointment or request. Please contact director@studiogallerydc.com or call (202) 232-8734 for inquiries or appointments.

Bleicher/Gorman Project Space Bergamot Station is happy to invite you to the the annual Grayscale Wonderland exhibit.

The aim of the exhibit is to explore new artists’ work while broadening our horizons into  grayscale possibilities.

I will have my print “Inside minimal surface 002” in show.